상세정보
The overall aim is to explain how the church comes to
share the mind of Christ, despite the difference of centuries, cultures, and
conceptual schemes, thanks to the dramatic interplay of Word and Spirit.
Vanhoozer describes the canonical-linguistic approach in terms of four marks. It
is evangelical in its understanding of the dramatic action at the heart of the
Bible's authoritative witness, orthodox in its thinking about the divine
dramatis personae, catholic in its attention to various voices in Scripture and
in the traditions of its interpretation, yet protestant in its use of Scripture
as a critical principle for discriminating between forms of ecclesial
performance. The net result is a non-reductive or expansive orthodoxy that
attends to the dialogue inside the canon and about it for the sake of the
integrity of our contemporary renderings of the drama of
redemption
목차
Table of Contents
| Introduction : the way of truth; the stuff of life | 1 | |
| 1 | The gospel as theo-drama : the divine voice and actor | 37 |
| 2 | Theology in the theo-drama : the human voice and actor | 57 |
| 3 | The nature of doctrine : a dramatic proposal | 77 |
| 4 | Word and church : the canon as covenant document | 115 |
| 5 | Scripture and tradition : two (or more) kinds of performance interpretation | 151 |
| 6 | Jesus, spirit, church : scripture and tradition in theo-dramatic perspective | 187 |
| 7 | The work of the spirit in the practices of the canon | 211 |
| 8 | Theology as dramaturgy | 243 |
| 9 | The canonical-linguistic approach, part one : Scientia | 265 |
| 10 | The canonical-linguistic approach, part two : Sapientia | 307 |
| 11 | Doctrine, role, vocation : the actors prepare | 363 |
| 12 | Doctrine and the church : the company of the gospel | 399 |
| Conclusion : creeds, confessions, and the pastor/director : doctrine and theology in the theater of congregational action | 445 |
